Saturday, 27 November 2010

Kids Making Money





Catelynn and Tyler


They’re shown living with their parents on the show, working part time jobs and struggling to pay for basic necessities, but the stars of MTV’s Teen Mom are not broke. Life & Style reports that they earn over $60,000 a year, which actually sounds pretty cheap of MTV considering how popular the show is. After so many of you suggested it, I’ve watched the first five episodes of the second season and I definitely get why so many of you watch this show. It’s kind of fascinating and you feel for these girls and their babies. Now that I know how much money they make I understand how Farrah affords that nice apartment despite complaining constantly about money. It also explains how these kids are able to go out to dinner all the time. Amber and Gary especially seem broke, but it sounds like they’re doing just fine.


Life & Style has learned that the stars of MTV’s hit show Teen Mom are raking in the dough!


“The Teen Mom stars earn $60,000 to $65,000 per season,” a series insider tells Life & Style. It’s enough to provide on-again, off-again couple Amber Portwood and Gary Shirley with comfortable lives — but neither one seems to be a good saver. “Gary says he’s broke,” Gary’s best friend, Jordan Sanchez, tells Life & Style. “The money is the only reason he’s willing to do the show. You can’t walk away from money like that.”


It’s true–in fact, Jordan tells Life & Style that Amber and Gary have already started filming the next season of Teen Mom in Tennessee. Lately, they’ve talked about moving to Florida, where Amber’s uncle owns a business.


[From Life & Style]


Like I said I’ve only seen a few episodes of this show, but this really makes me question how “real” it is. They present it like a kind of documentary and the kids are constantly worried about money and cutting corners to make ends meet. It just seems so false to me if they’re paid so well. Sure $60,000 isn’t a huge amount of money, but it’s good pay and it’s not like they’re living hand to mouth.


It’s easy to imagine Amber and Gary wasting their money because they’re just so trashy. Amber is so damn cruel and nasty and she can be hard to watch. Catelynn and Tyler, who gave up their baby for adoption, are good kids and are probably giving the money to their families. Jezebel is soliciting donations for a college fund for them and on the show it seems like they really need it. Their families look very poor. Maci comes from an upper middle class family and is very responsible, so I can see her managing her money well and continuing to work for her son’s sake. Farrah is somewhat of a dimwit and was shown getting victimized by an online scam in which someone wrote her a bad check and then had her wire them money in exchange for selling her car. (Her mom is a manipulative, abusive bitch though and she’s dealing with a lot.) Farrah’s bank told her that her account was overdrawn for nearly the full amount she wired, so what happened to her MTV paycheck? Does MTV make the stars save that money separately?


It’s good that MTV is paying these kids but then how do they justify showing them barely getting by? Are they putting the money in trust and making them live on whatever they make? I doubt it. Do only the women make $60,000 or do their partners pull in that money too? Producers have some explaining to do.


Maci


Gary and Amber


Farrah






Post written by Leo Babauta.

I’m a big subscriber to using whatever you can find to work out: pullups on trees, throw big boulders, flip logs or big tires, jump over things, sprint up hills (see Minimalist Fitness, part 1 & part 2).


As a parent and a minimalist, I’d like to share my ultimate minimalist workout secret: my kids are my gym.


Fellow parents, if you’re not doing this yet, I can’t recommend it highly enough. How are they my gym? Instead of paying hundreds of dollars (even thousands) a year for a gym, I use my kids to get in shape.


How? Every way I can, but here’s a few:



  • I carry them on my shoulders as we walk around town.

  • We race each other to the corner, sprinting. Often up hills.

  • I do pushups with them on my back.

  • I lift them up in the air — it’s like lifting weights.

  • I’ll let them hang on me as I do chinups.

  • We climb and jump around in the playground.

  • We play with the soccer ball — getting lots of sprints in as we do.

  • We jump around in the ocean. A great workout.

  • We wrestle.

  • We challenge each other to do pistols (one-legged squats) or handstand pushups (what they sound like). Mostly we can’t, but it’s fun.

  • We do lunges while walking up a hill.

  • I carry them slung across my shoulders — a fireman’s carry — which is a great workout btw.

  • I’ll carry one on my back, piggy-back style, while racing another kid up a hill. Yes, I love hills.



Awesomer than a gym


So why is this so awesome?


1. We bond. Instead of spending time away from the kids at a gym, I spend time with them. And get a great workout in throughout the day. It’s two birds, one stone, saving time while helping me bond with my kids.


2. Work becomes play. It’s not exercise, it’s not a workout, it’s *play*. And that’s a whole different ballgame. Play is fun, it’s challenging, it’s easy, and yet it’s a great way to get in shape.


3. No cost. OK, kids aren’t cheap — but I have them anyway, so why not use them? I’m saving money and getting fit — that’s all kinds of win.


4. I’m being a role model. Kid learn most of all from what they see others doing, especially their parents. You can tell them things all day long, but unless they see you doing it, you’re not teaching them much. When we go to the gym, they don’t see us working out. When we workout as we play with them, they’re learning how to be healthy, and that is a gift that will last a lifetime.


5. It’s a lifestyle. I don’t work out at one time during the day, and then stay sedentary the rest of the day. It’s all throughout the day, every day, which means it’s woven into my life, not a small segment of my life. This is what a healthy lifestyle looks like.


6. It’s functional. When you do a bicep curl with a dumbbell, you’re making a motion that you never would do in real life — when have you ever lifted something heavy while keeping your upper arm fixed to your torso? Instead, when we lift heavy things, we bend at the knees, and use our legs, our torso, our shoulders, our arms — basically most of our body at once. When I lift my kids, that’s the same motion I’d use to lift anything else. Functional exercise is much more useful than isolated lifts.


Working out using my kids as equipment is the best thing I’ve done with my fitness. It’s fun, so I never want to stop. It’s functional, it’s cheap, and best of all, I get to do it with my kids. I love it.



ze Tweets



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Fox <b>News</b> Watch - Twitter - Daily Beast | Mediaite

The evolution of news media in light of personalized, instant-gratification social networking sites like Twitter has the landscape evolving at a rapidfire pace. For some in the media, this is a reason to mourn the passing of a more ...

Game of the Week PlayStation 3 <b>News</b> - Page 1 | Eurogamer.net

Read our PlayStation 3 news of Game of the Week. ... Gran Turismo 4 vs. Gran Turismo 5 Today 10:56. Gran Turismo 5: Special Stage 720p/1080/3D analysis Today 10:56. Latest News. GT5 update confirmed for Saturday ...

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Fox <b>News</b> Watch - Twitter - Daily Beast | Mediaite

The evolution of news media in light of personalized, instant-gratification social networking sites like Twitter has the landscape evolving at a rapidfire pace. For some in the media, this is a reason to mourn the passing of a more ...

Game of the Week PlayStation 3 <b>News</b> - Page 1 | Eurogamer.net

Read our PlayStation 3 news of Game of the Week. ... Gran Turismo 4 vs. Gran Turismo 5 Today 10:56. Gran Turismo 5: Special Stage 720p/1080/3D analysis Today 10:56. Latest News. GT5 update confirmed for Saturday ...

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Catelynn and Tyler


They’re shown living with their parents on the show, working part time jobs and struggling to pay for basic necessities, but the stars of MTV’s Teen Mom are not broke. Life & Style reports that they earn over $60,000 a year, which actually sounds pretty cheap of MTV considering how popular the show is. After so many of you suggested it, I’ve watched the first five episodes of the second season and I definitely get why so many of you watch this show. It’s kind of fascinating and you feel for these girls and their babies. Now that I know how much money they make I understand how Farrah affords that nice apartment despite complaining constantly about money. It also explains how these kids are able to go out to dinner all the time. Amber and Gary especially seem broke, but it sounds like they’re doing just fine.


Life & Style has learned that the stars of MTV’s hit show Teen Mom are raking in the dough!


“The Teen Mom stars earn $60,000 to $65,000 per season,” a series insider tells Life & Style. It’s enough to provide on-again, off-again couple Amber Portwood and Gary Shirley with comfortable lives — but neither one seems to be a good saver. “Gary says he’s broke,” Gary’s best friend, Jordan Sanchez, tells Life & Style. “The money is the only reason he’s willing to do the show. You can’t walk away from money like that.”


It’s true–in fact, Jordan tells Life & Style that Amber and Gary have already started filming the next season of Teen Mom in Tennessee. Lately, they’ve talked about moving to Florida, where Amber’s uncle owns a business.


[From Life & Style]


Like I said I’ve only seen a few episodes of this show, but this really makes me question how “real” it is. They present it like a kind of documentary and the kids are constantly worried about money and cutting corners to make ends meet. It just seems so false to me if they’re paid so well. Sure $60,000 isn’t a huge amount of money, but it’s good pay and it’s not like they’re living hand to mouth.


It’s easy to imagine Amber and Gary wasting their money because they’re just so trashy. Amber is so damn cruel and nasty and she can be hard to watch. Catelynn and Tyler, who gave up their baby for adoption, are good kids and are probably giving the money to their families. Jezebel is soliciting donations for a college fund for them and on the show it seems like they really need it. Their families look very poor. Maci comes from an upper middle class family and is very responsible, so I can see her managing her money well and continuing to work for her son’s sake. Farrah is somewhat of a dimwit and was shown getting victimized by an online scam in which someone wrote her a bad check and then had her wire them money in exchange for selling her car. (Her mom is a manipulative, abusive bitch though and she’s dealing with a lot.) Farrah’s bank told her that her account was overdrawn for nearly the full amount she wired, so what happened to her MTV paycheck? Does MTV make the stars save that money separately?


It’s good that MTV is paying these kids but then how do they justify showing them barely getting by? Are they putting the money in trust and making them live on whatever they make? I doubt it. Do only the women make $60,000 or do their partners pull in that money too? Producers have some explaining to do.


Maci


Gary and Amber


Farrah






Post written by Leo Babauta.

I’m a big subscriber to using whatever you can find to work out: pullups on trees, throw big boulders, flip logs or big tires, jump over things, sprint up hills (see Minimalist Fitness, part 1 & part 2).


As a parent and a minimalist, I’d like to share my ultimate minimalist workout secret: my kids are my gym.


Fellow parents, if you’re not doing this yet, I can’t recommend it highly enough. How are they my gym? Instead of paying hundreds of dollars (even thousands) a year for a gym, I use my kids to get in shape.


How? Every way I can, but here’s a few:



  • I carry them on my shoulders as we walk around town.

  • We race each other to the corner, sprinting. Often up hills.

  • I do pushups with them on my back.

  • I lift them up in the air — it’s like lifting weights.

  • I’ll let them hang on me as I do chinups.

  • We climb and jump around in the playground.

  • We play with the soccer ball — getting lots of sprints in as we do.

  • We jump around in the ocean. A great workout.

  • We wrestle.

  • We challenge each other to do pistols (one-legged squats) or handstand pushups (what they sound like). Mostly we can’t, but it’s fun.

  • We do lunges while walking up a hill.

  • I carry them slung across my shoulders — a fireman’s carry — which is a great workout btw.

  • I’ll carry one on my back, piggy-back style, while racing another kid up a hill. Yes, I love hills.



Awesomer than a gym


So why is this so awesome?


1. We bond. Instead of spending time away from the kids at a gym, I spend time with them. And get a great workout in throughout the day. It’s two birds, one stone, saving time while helping me bond with my kids.


2. Work becomes play. It’s not exercise, it’s not a workout, it’s *play*. And that’s a whole different ballgame. Play is fun, it’s challenging, it’s easy, and yet it’s a great way to get in shape.


3. No cost. OK, kids aren’t cheap — but I have them anyway, so why not use them? I’m saving money and getting fit — that’s all kinds of win.


4. I’m being a role model. Kid learn most of all from what they see others doing, especially their parents. You can tell them things all day long, but unless they see you doing it, you’re not teaching them much. When we go to the gym, they don’t see us working out. When we workout as we play with them, they’re learning how to be healthy, and that is a gift that will last a lifetime.


5. It’s a lifestyle. I don’t work out at one time during the day, and then stay sedentary the rest of the day. It’s all throughout the day, every day, which means it’s woven into my life, not a small segment of my life. This is what a healthy lifestyle looks like.


6. It’s functional. When you do a bicep curl with a dumbbell, you’re making a motion that you never would do in real life — when have you ever lifted something heavy while keeping your upper arm fixed to your torso? Instead, when we lift heavy things, we bend at the knees, and use our legs, our torso, our shoulders, our arms — basically most of our body at once. When I lift my kids, that’s the same motion I’d use to lift anything else. Functional exercise is much more useful than isolated lifts.


Working out using my kids as equipment is the best thing I’ve done with my fitness. It’s fun, so I never want to stop. It’s functional, it’s cheap, and best of all, I get to do it with my kids. I love it.



ze Tweets



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Fox <b>News</b> Watch - Twitter - Daily Beast | Mediaite

The evolution of news media in light of personalized, instant-gratification social networking sites like Twitter has the landscape evolving at a rapidfire pace. For some in the media, this is a reason to mourn the passing of a more ...

Game of the Week PlayStation 3 <b>News</b> - Page 1 | Eurogamer.net

Read our PlayStation 3 news of Game of the Week. ... Gran Turismo 4 vs. Gran Turismo 5 Today 10:56. Gran Turismo 5: Special Stage 720p/1080/3D analysis Today 10:56. Latest News. GT5 update confirmed for Saturday ...

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Fox <b>News</b> Watch - Twitter - Daily Beast | Mediaite

The evolution of news media in light of personalized, instant-gratification social networking sites like Twitter has the landscape evolving at a rapidfire pace. For some in the media, this is a reason to mourn the passing of a more ...

Game of the Week PlayStation 3 <b>News</b> - Page 1 | Eurogamer.net

Read our PlayStation 3 news of Game of the Week. ... Gran Turismo 4 vs. Gran Turismo 5 Today 10:56. Gran Turismo 5: Special Stage 720p/1080/3D analysis Today 10:56. Latest News. GT5 update confirmed for Saturday ...

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Fox <b>News</b> Watch - Twitter - Daily Beast | Mediaite

The evolution of news media in light of personalized, instant-gratification social networking sites like Twitter has the landscape evolving at a rapidfire pace. For some in the media, this is a reason to mourn the passing of a more ...

Game of the Week PlayStation 3 <b>News</b> - Page 1 | Eurogamer.net

Read our PlayStation 3 news of Game of the Week. ... Gran Turismo 4 vs. Gran Turismo 5 Today 10:56. Gran Turismo 5: Special Stage 720p/1080/3D analysis Today 10:56. Latest News. GT5 update confirmed for Saturday ...

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Saturday, 20 November 2010

Making Money Software

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The Buffalo News updated every day with news from Buffalo, New York. Links to national and business news, entertainment listings, recipes, sports teams, classified ads, death notices.

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Thursday, 18 November 2010

Making Money Uk



It’s not just the UK movie business that is suffering from draconian budget cuts because of the global financial crisis. Europe has an enormous hangover, too. And other European film industries are also suffering as EU governments scramble to reduce their debt mountains:


France

France's cinema unions say the French Senate finance committee's plan will have "catastrophic consequences" for French film and TV funding. That's because France's government wants to divert €128 million ($175 million) of revenue away from state film agency Centre National du Cinéma et de l’Image Animee (CNC) into its own coffers. This won't actually be a cut in CNC funding, just limiting next year's funding increase to a 7.6% improvement on this year's €575 million ($800 million) budget. The CNC is funded through a levy on cinema admissions – which are estimated to hit 210 million this year, the best for 20 years -- as well as a levy on DVD sales, a levy on broadcaster income and a levy on internet service providers. “Internet providers and VOD services are also now paying into the CNC coffers for the first time,” says Franck Priot, deputy head of inward-investment agency Film France. The CNC had been expecting an extra €171 million in income next year.


The government is also making its Sofica tax scheme – which raises money for film production through wealthy individuals – less attractive from an investor’s point of view. Last year 98 French films were financed through Sofica, which injected €36.2 million into French production. Still, says Priot, the scheme is so oversubscribed each year, even if the government does tighten things up, it won’t make a difference from a producer’s point of view. The scheme is always oversubscribed. Film France says that it doesn’t believe its own €920,000 budget – 90% of which comes through the CNC -- will be cut next year. Neither does it think that any of France’s 40 regional film commissions, 22 of which are financed by cities or the regions, will go out of business in 2011. Priot says there are always budget fluctuations, but that’s the same for any year. “Globally, it’s quite stable,” he tells me.


Germany

Local producers are afraid for the future of both national screen agency Filmförderunganstalt (FFA) – Germany’s equivalent of the CNC or the UK Film Council – and national film fund the DFFF. Germany was the European country which has suffered least during the global financial crisis. It also has a robust film sector. At least for now. Germany provides $400 million worth of soft money each year to producers, through a mixture of national and regional funds. English-language movies that have tapped German funding recently include Hanna, Unknown White Male and The Ghost Writer. But Germany’s Federal Constitutional Court is deciding whether payments made to the FFA by Germany’s cinemas have been unconstitutional. And Germany’s broadcasters are now able to pay less to the FFA than they have been annually – again because of a change in the law.


Although the FFA expects its annual €70 million budget to remain the same next year, it could go down after that. Last year the FFA spent €52 million overall, of which €28 million was spent on local production. That amount will almost certainly go down if TV broadcasters give less. The German Federal Film Fund (DFFF) was launched at the beginning of 2007 with an annual budget of €60 million. This fund usually offers foreign and local producers grants of up to €4 million ($6 million) per film as long as 25% of a film’s production costs are spent in Germany – although this can be upped to e10 million ($15 million) in special cases. The DFFF was extended last year to 2012 but there’s a question mark after that.


Matthias Schwarz of the German Producers Alliance tells me: “It seems okay for next year but we’re afraid for the future of DFFF and FFA. If both schemes are ruled unconstitutional, then it would be very bad news. And we have budget concerns for the DFFF from 2013 onwards.”


Meanwhile, Germany’s regional funds lend €146.4 million ($204 million) annually between them. Regional funding is divided up as follows: FFF Bayern (€27.6 million), Filmforderung Hamburg Schleswig-Holstein (€12.4 million), Filmstiftung NRW (€35.8 million), Hessen-Invest Film (€5 million) Medienboard Berlin-Brandenburg (€29.2 million), Mfg Baden-Wurttemberg (€8.3 million), Mitteldeutsche Meidenforderung (€16.5 million) and Nordmedia (€11.6 million). The total amount regional funds offer is approaching their historic high watermark of 5 years ago – after which funding declined. The funds expect producers to spend 100-150% of the amount they borrow locally. Loans are repaid over the exploitation of the film. Whatever a producer repays does not disappear into a general pot – rather, it’s set aside for the producer to re-use on his future project. And new regions such as Saxony-Anhalt, which is having a local boom, are coming online adding to what’s already on offer.


Another cloud is the amount German broadcasters invest in feature films. This percentage of the average film’s budget fell from 14% in 2007 to 7% last year. Broadcasters contributed €16 million to features co-funded by the FFA last year -- public TV injected €11 million, private channels €5 million. Schwarz says: “That’s a real problem. We have agreed with [public stations] ZDF and ARD that we need to talk about a number of issues including the number of Germany films on TV and how they’re scheduled, co-production levels and the amount broadcasters invest in local films.”


Iceland

Not part of the European Union, but a member of the wider European Economic Area, Iceland’s government slashed state film funding agreed for 2010 by 36% to IKR450 million ($3.4 million). This means there’s only enough money to back 3 features in 2010, plus a couple of feature documentaries. Iceland released 11 home-grown films last year. State broadcaster RUV announced it was reducing its investment in local film production due to budget cuts. Ari Kristinsson, head of the Association of Icelandic Film Producers, says that local film industry has collapsed and called the cuts “a massacre”.


Ireland

Simon Perry, CEO of state agency the Irish Film Board, expects his budget will be cut again next year by 15% to €14 million ($19.4 million). This year’s IFB budget of €16.5 million is already 5% down on last year’s. Such swinging cuts are necessary because there’s a €19 billion gap between what Ireland raises in taxes and what it spends each year. Last month, Ireland bailed out the Irish banking system to the tune of €44 billion. The country’s budget deficit is projected to equal 32% of GDP – 10 times the amount permitted under European Union guidelines.


Italy

The opening night of the International Rome Film Festival was disrupted last month as Italy’s film industry protested over government cuts. Over 1,000 incensed actors, directors, producers and other film professionals invaded the red carpet at Rome’s Auditorium Parco Della Musica, angered that the Berlusconi government has reduced Italy’s single arts fund, FUS, down to its lowest level in 20 years. This year the arts fund budget is below €300 million ($416 million) compared with €500 million 3 years ago. Cinema’s share of this year’s FUS funding is around €60 million. That’s small beer compared with what’s on offer in France and Germany. On top of that producers are still owed €50 million from previous years' funding rounds, which means there’s hardly anything left this year for the entire Italian film industry. The protest was also fuelled by fears that Italy’s new tax breaks, both for local and international production, may not be renewed. Silvio Berlusconi's government introduced longed-for tax breaks last year, overhauling Italy's old subsidy system which backed lots of films nobody went to see. But the government has included the new tax breaks on a list of possible recession cutbacks. Riccardo Tozzi, president of Italian producers’ association Anica who also runs Universal's Italian outpost Cattleya, tells me confirmation of tax credit legislation is expected by the end of this month.


Netherlands

The Dutch film industry is facing a horrendous crisis. It is estimated that cultural funding in the Netherlands will nearly be halved, once national and local cuts take effect. The cuts won’t really bite for another 5 years however. The new Coalition between the right-of-centre Liberals and the centre-right Christian Democrats has agreed to cut culture funding by €200 million ($277 million) a year from 2015. The government has described the arts and culture as “left-wing hobbies”. Cuts will be staggered until then: beginning with €30 million next year; €50 million in 2012; €100 million in 2013; €150 million in 2014. That €200 million figure is just above 21% of the current culture budget. Total state funding is being cut by 13%, which means culture is disproportionately hard hit. Local government in cities and provinces will also receive less money, and, as they subsidise cultural institutions too, the blow will be much bigger.


Eye, the new umbrella Dutch film agency which launched in January, will have its budget increased next year to €12 million. It is also due to move into an eye-poppingly modernist building in Amsterdam next year. Like the soon-to-be-defunct UK Film Council, Eye has brought together a number of film organisations: Filmbank, promotional agency Holland Film, the Netherlands Institute for Film Education and the Filmmuseum.


The Netherlands Film Fund, which is likely to move into the Eye building, has an annual budget of €35.5 million until end-2011. It is likely that the Film Fund will lose its annual €12 million “matching” fund though. This matching fund was introduced in 2008 to replace the Dutch tax break. It matches investment from either private or public investors. Because the money comes from the Finance Ministry, it’s likely this kind of fund will be an easy target. “The fear is that the supplementary fund will be one of the first to be knocked off,” says Dutch director and producer Ate De Jong. “The film sector won’t be affected too much until 2012, so we have some time to regroup – although nobody knows how.”


Both the Eye and the Netherlands Film Fund receive local funding. How much each will lose of that is being worked out at the moment. On top of direct cuts, state broadcaster NPO is having its budget cut by up to €200 million a year by 2015. The government is talking about closing down one channel if NPO can’t meet the cuts itself.


Spain

The budget for state film agency the Instituto de la Cinematografia y de las Artes Audiovisuales has been cut by 19.3% to €86 million ($119 million) in 2011. This year’s budget is €107 million. And the scenario for 2012 and 2013 seems even worse, Fabia Buenaventura, director general of producers’ association FAPAE, tells me -- although there’s nothing official yet. Last month ICAA director Ignasi Guardans was sacked to be replaced by Carlos Cuatros, director of Spain’s film academy. In May the agency halved the amount filmmakers can claim through the automatic subsidy system, pegged to box office performance, to €400,000 ($500,000). The ceiling producers can claim through selective funding was cut by 25% to €1.5 million. Spain launched a new €85m film fund at the beginning of this year. US movies that have accessed the fund -- which caused unrest with small, indie producers who felt frozen out by the focus on bigger, more commercial films -- include Juan Antonio Bayona’s The Impossible, starring Ewan McGregor, and Juan Carlos Fresnadillo’s Intruders, starring Clive Owen.


Britain

It was midnight in Los Angeles on July 24 when UK arts minister Ed Vaizey telephoned Tim Bevan, chairman of the UK Film Council, to tell him that his organisation was being abolished. The news came out of the blue. “I was surprised not to have had a conversation beforehand,” Bevan said later. The Working Title boss telephoned Film Council CEO John Woodward to tell him what had happened the next day. Woodward compared the decision to close down his organisation to being run over by a bus. Closing down the UKFC is expected to save £2.5 million a year. The government has assured the worried British film industry that the £26 million it currently gets through National Lottery funding will not only continue, but will increase to £43 million a year post 2014 (once the 2012 London Olympics are out of the way). And the UK tax credit, designed to attract Hollywood inward investment, which costs around £100 million annually, is safe.


It’s not just the UK Film Council that has been swiped by the government’s spending cuts. The Culture Ministry’s budget will be reduced from £1.4 billion to £1.1 billion by 2014/2015. The British Film Institute has had its budget cut by 15% from £16 million to £14.6 million. The British Council, which promotes UK film culture abroad, has had its total budget, provided by the Foreign Office, cut from £181 million to £149 million by 2014. The Film Industry Training Board is set to be privatised. Its chairman Iain Smith told me that, again, the government’s decision came out of the blue.


Worse, film funding outside of the BFI and the lottery, has been slashed by over 50%. The budget for all other film activity from now on will be £4.7 million – down from £9.4 million this year, says the Department for Culture, Media and Sport. The £4.7 million has to cover all the work of the regional film commissions, certifying whether films are British to qualify for the film tax credit, and a host of other activities. Regional screen agencies, which encourage local film production, are braced to have their budgets cut by 15% too.


If we were a bit more cutting edge, gritty and satirical we could squeeze out an excellent joke around GAME trying to compete with Steam and being a bit confused about what part of their business model they need to turn digital (hint: the games as well as the store). People expect more from us upstanding journalist types, however, so when we do roundly mock GAME and their slightly odd choice of venue (or rather publicity stunt), we phrase it as a what if scenario so nobody catches on.




Apparently there’s a place called Moonbase in there, where the new shops are located, one of which is quaintly titled Moonbase Shop and a second one called GAME V. The first shop is for real people to order real games in the fake world and the V one is for the fake people the real people are piloting through the fake world to buy clothes and digital toothpaste and whatever else Sony will make available for them. We’re confident everyone got all that and if you didn’t you’ll see it for itself tomorrow, when it’s launched.




bench craft company

Good <b>News</b>, College Grads (Except Lawyers)!

Moderately good news, unemployed college graduates! A new report on hiring trends says that hiring of graduates with bachelor's degrees or MBAs will surge by 10% next year. Green shoots! As long as you didn't go to law school.

Great <b>News</b>: The Donald May Agree to be President « Hot Air

During a longer video with Fox News (video) The Donald goes into more detail about how the world has lost respect for America under the Obama administration, as well as the need for his type of “finesse” to be a truly effective ...

Small Business <b>News</b>: Direct Marketing Diorama

Not too long ago, we received a comment from a reader of our Small Business Trends small business news roundups on a post called Marketing Mashup. Though we.


bench craft company


It’s not just the UK movie business that is suffering from draconian budget cuts because of the global financial crisis. Europe has an enormous hangover, too. And other European film industries are also suffering as EU governments scramble to reduce their debt mountains:


France

France's cinema unions say the French Senate finance committee's plan will have "catastrophic consequences" for French film and TV funding. That's because France's government wants to divert €128 million ($175 million) of revenue away from state film agency Centre National du Cinéma et de l’Image Animee (CNC) into its own coffers. This won't actually be a cut in CNC funding, just limiting next year's funding increase to a 7.6% improvement on this year's €575 million ($800 million) budget. The CNC is funded through a levy on cinema admissions – which are estimated to hit 210 million this year, the best for 20 years -- as well as a levy on DVD sales, a levy on broadcaster income and a levy on internet service providers. “Internet providers and VOD services are also now paying into the CNC coffers for the first time,” says Franck Priot, deputy head of inward-investment agency Film France. The CNC had been expecting an extra €171 million in income next year.


The government is also making its Sofica tax scheme – which raises money for film production through wealthy individuals – less attractive from an investor’s point of view. Last year 98 French films were financed through Sofica, which injected €36.2 million into French production. Still, says Priot, the scheme is so oversubscribed each year, even if the government does tighten things up, it won’t make a difference from a producer’s point of view. The scheme is always oversubscribed. Film France says that it doesn’t believe its own €920,000 budget – 90% of which comes through the CNC -- will be cut next year. Neither does it think that any of France’s 40 regional film commissions, 22 of which are financed by cities or the regions, will go out of business in 2011. Priot says there are always budget fluctuations, but that’s the same for any year. “Globally, it’s quite stable,” he tells me.


Germany

Local producers are afraid for the future of both national screen agency Filmförderunganstalt (FFA) – Germany’s equivalent of the CNC or the UK Film Council – and national film fund the DFFF. Germany was the European country which has suffered least during the global financial crisis. It also has a robust film sector. At least for now. Germany provides $400 million worth of soft money each year to producers, through a mixture of national and regional funds. English-language movies that have tapped German funding recently include Hanna, Unknown White Male and The Ghost Writer. But Germany’s Federal Constitutional Court is deciding whether payments made to the FFA by Germany’s cinemas have been unconstitutional. And Germany’s broadcasters are now able to pay less to the FFA than they have been annually – again because of a change in the law.


Although the FFA expects its annual €70 million budget to remain the same next year, it could go down after that. Last year the FFA spent €52 million overall, of which €28 million was spent on local production. That amount will almost certainly go down if TV broadcasters give less. The German Federal Film Fund (DFFF) was launched at the beginning of 2007 with an annual budget of €60 million. This fund usually offers foreign and local producers grants of up to €4 million ($6 million) per film as long as 25% of a film’s production costs are spent in Germany – although this can be upped to e10 million ($15 million) in special cases. The DFFF was extended last year to 2012 but there’s a question mark after that.


Matthias Schwarz of the German Producers Alliance tells me: “It seems okay for next year but we’re afraid for the future of DFFF and FFA. If both schemes are ruled unconstitutional, then it would be very bad news. And we have budget concerns for the DFFF from 2013 onwards.”


Meanwhile, Germany’s regional funds lend €146.4 million ($204 million) annually between them. Regional funding is divided up as follows: FFF Bayern (€27.6 million), Filmforderung Hamburg Schleswig-Holstein (€12.4 million), Filmstiftung NRW (€35.8 million), Hessen-Invest Film (€5 million) Medienboard Berlin-Brandenburg (€29.2 million), Mfg Baden-Wurttemberg (€8.3 million), Mitteldeutsche Meidenforderung (€16.5 million) and Nordmedia (€11.6 million). The total amount regional funds offer is approaching their historic high watermark of 5 years ago – after which funding declined. The funds expect producers to spend 100-150% of the amount they borrow locally. Loans are repaid over the exploitation of the film. Whatever a producer repays does not disappear into a general pot – rather, it’s set aside for the producer to re-use on his future project. And new regions such as Saxony-Anhalt, which is having a local boom, are coming online adding to what’s already on offer.


Another cloud is the amount German broadcasters invest in feature films. This percentage of the average film’s budget fell from 14% in 2007 to 7% last year. Broadcasters contributed €16 million to features co-funded by the FFA last year -- public TV injected €11 million, private channels €5 million. Schwarz says: “That’s a real problem. We have agreed with [public stations] ZDF and ARD that we need to talk about a number of issues including the number of Germany films on TV and how they’re scheduled, co-production levels and the amount broadcasters invest in local films.”


Iceland

Not part of the European Union, but a member of the wider European Economic Area, Iceland’s government slashed state film funding agreed for 2010 by 36% to IKR450 million ($3.4 million). This means there’s only enough money to back 3 features in 2010, plus a couple of feature documentaries. Iceland released 11 home-grown films last year. State broadcaster RUV announced it was reducing its investment in local film production due to budget cuts. Ari Kristinsson, head of the Association of Icelandic Film Producers, says that local film industry has collapsed and called the cuts “a massacre”.


Ireland

Simon Perry, CEO of state agency the Irish Film Board, expects his budget will be cut again next year by 15% to €14 million ($19.4 million). This year’s IFB budget of €16.5 million is already 5% down on last year’s. Such swinging cuts are necessary because there’s a €19 billion gap between what Ireland raises in taxes and what it spends each year. Last month, Ireland bailed out the Irish banking system to the tune of €44 billion. The country’s budget deficit is projected to equal 32% of GDP – 10 times the amount permitted under European Union guidelines.


Italy

The opening night of the International Rome Film Festival was disrupted last month as Italy’s film industry protested over government cuts. Over 1,000 incensed actors, directors, producers and other film professionals invaded the red carpet at Rome’s Auditorium Parco Della Musica, angered that the Berlusconi government has reduced Italy’s single arts fund, FUS, down to its lowest level in 20 years. This year the arts fund budget is below €300 million ($416 million) compared with €500 million 3 years ago. Cinema’s share of this year’s FUS funding is around €60 million. That’s small beer compared with what’s on offer in France and Germany. On top of that producers are still owed €50 million from previous years' funding rounds, which means there’s hardly anything left this year for the entire Italian film industry. The protest was also fuelled by fears that Italy’s new tax breaks, both for local and international production, may not be renewed. Silvio Berlusconi's government introduced longed-for tax breaks last year, overhauling Italy's old subsidy system which backed lots of films nobody went to see. But the government has included the new tax breaks on a list of possible recession cutbacks. Riccardo Tozzi, president of Italian producers’ association Anica who also runs Universal's Italian outpost Cattleya, tells me confirmation of tax credit legislation is expected by the end of this month.


Netherlands

The Dutch film industry is facing a horrendous crisis. It is estimated that cultural funding in the Netherlands will nearly be halved, once national and local cuts take effect. The cuts won’t really bite for another 5 years however. The new Coalition between the right-of-centre Liberals and the centre-right Christian Democrats has agreed to cut culture funding by €200 million ($277 million) a year from 2015. The government has described the arts and culture as “left-wing hobbies”. Cuts will be staggered until then: beginning with €30 million next year; €50 million in 2012; €100 million in 2013; €150 million in 2014. That €200 million figure is just above 21% of the current culture budget. Total state funding is being cut by 13%, which means culture is disproportionately hard hit. Local government in cities and provinces will also receive less money, and, as they subsidise cultural institutions too, the blow will be much bigger.


Eye, the new umbrella Dutch film agency which launched in January, will have its budget increased next year to €12 million. It is also due to move into an eye-poppingly modernist building in Amsterdam next year. Like the soon-to-be-defunct UK Film Council, Eye has brought together a number of film organisations: Filmbank, promotional agency Holland Film, the Netherlands Institute for Film Education and the Filmmuseum.


The Netherlands Film Fund, which is likely to move into the Eye building, has an annual budget of €35.5 million until end-2011. It is likely that the Film Fund will lose its annual €12 million “matching” fund though. This matching fund was introduced in 2008 to replace the Dutch tax break. It matches investment from either private or public investors. Because the money comes from the Finance Ministry, it’s likely this kind of fund will be an easy target. “The fear is that the supplementary fund will be one of the first to be knocked off,” says Dutch director and producer Ate De Jong. “The film sector won’t be affected too much until 2012, so we have some time to regroup – although nobody knows how.”


Both the Eye and the Netherlands Film Fund receive local funding. How much each will lose of that is being worked out at the moment. On top of direct cuts, state broadcaster NPO is having its budget cut by up to €200 million a year by 2015. The government is talking about closing down one channel if NPO can’t meet the cuts itself.


Spain

The budget for state film agency the Instituto de la Cinematografia y de las Artes Audiovisuales has been cut by 19.3% to €86 million ($119 million) in 2011. This year’s budget is €107 million. And the scenario for 2012 and 2013 seems even worse, Fabia Buenaventura, director general of producers’ association FAPAE, tells me -- although there’s nothing official yet. Last month ICAA director Ignasi Guardans was sacked to be replaced by Carlos Cuatros, director of Spain’s film academy. In May the agency halved the amount filmmakers can claim through the automatic subsidy system, pegged to box office performance, to €400,000 ($500,000). The ceiling producers can claim through selective funding was cut by 25% to €1.5 million. Spain launched a new €85m film fund at the beginning of this year. US movies that have accessed the fund -- which caused unrest with small, indie producers who felt frozen out by the focus on bigger, more commercial films -- include Juan Antonio Bayona’s The Impossible, starring Ewan McGregor, and Juan Carlos Fresnadillo’s Intruders, starring Clive Owen.


Britain

It was midnight in Los Angeles on July 24 when UK arts minister Ed Vaizey telephoned Tim Bevan, chairman of the UK Film Council, to tell him that his organisation was being abolished. The news came out of the blue. “I was surprised not to have had a conversation beforehand,” Bevan said later. The Working Title boss telephoned Film Council CEO John Woodward to tell him what had happened the next day. Woodward compared the decision to close down his organisation to being run over by a bus. Closing down the UKFC is expected to save £2.5 million a year. The government has assured the worried British film industry that the £26 million it currently gets through National Lottery funding will not only continue, but will increase to £43 million a year post 2014 (once the 2012 London Olympics are out of the way). And the UK tax credit, designed to attract Hollywood inward investment, which costs around £100 million annually, is safe.


It’s not just the UK Film Council that has been swiped by the government’s spending cuts. The Culture Ministry’s budget will be reduced from £1.4 billion to £1.1 billion by 2014/2015. The British Film Institute has had its budget cut by 15% from £16 million to £14.6 million. The British Council, which promotes UK film culture abroad, has had its total budget, provided by the Foreign Office, cut from £181 million to £149 million by 2014. The Film Industry Training Board is set to be privatised. Its chairman Iain Smith told me that, again, the government’s decision came out of the blue.


Worse, film funding outside of the BFI and the lottery, has been slashed by over 50%. The budget for all other film activity from now on will be £4.7 million – down from £9.4 million this year, says the Department for Culture, Media and Sport. The £4.7 million has to cover all the work of the regional film commissions, certifying whether films are British to qualify for the film tax credit, and a host of other activities. Regional screen agencies, which encourage local film production, are braced to have their budgets cut by 15% too.


If we were a bit more cutting edge, gritty and satirical we could squeeze out an excellent joke around GAME trying to compete with Steam and being a bit confused about what part of their business model they need to turn digital (hint: the games as well as the store). People expect more from us upstanding journalist types, however, so when we do roundly mock GAME and their slightly odd choice of venue (or rather publicity stunt), we phrase it as a what if scenario so nobody catches on.




Apparently there’s a place called Moonbase in there, where the new shops are located, one of which is quaintly titled Moonbase Shop and a second one called GAME V. The first shop is for real people to order real games in the fake world and the V one is for the fake people the real people are piloting through the fake world to buy clothes and digital toothpaste and whatever else Sony will make available for them. We’re confident everyone got all that and if you didn’t you’ll see it for itself tomorrow, when it’s launched.




bench craft company>

Good <b>News</b>, College Grads (Except Lawyers)!

Moderately good news, unemployed college graduates! A new report on hiring trends says that hiring of graduates with bachelor's degrees or MBAs will surge by 10% next year. Green shoots! As long as you didn't go to law school.

Great <b>News</b>: The Donald May Agree to be President « Hot Air

During a longer video with Fox News (video) The Donald goes into more detail about how the world has lost respect for America under the Obama administration, as well as the need for his type of “finesse” to be a truly effective ...

Small Business <b>News</b>: Direct Marketing Diorama

Not too long ago, we received a comment from a reader of our Small Business Trends small business news roundups on a post called Marketing Mashup. Though we.


bench craft company

bench craft company

 regine debatty by displayelevenstore


bench craft company

Good <b>News</b>, College Grads (Except Lawyers)!

Moderately good news, unemployed college graduates! A new report on hiring trends says that hiring of graduates with bachelor's degrees or MBAs will surge by 10% next year. Green shoots! As long as you didn't go to law school.

Great <b>News</b>: The Donald May Agree to be President « Hot Air

During a longer video with Fox News (video) The Donald goes into more detail about how the world has lost respect for America under the Obama administration, as well as the need for his type of “finesse” to be a truly effective ...

Small Business <b>News</b>: Direct Marketing Diorama

Not too long ago, we received a comment from a reader of our Small Business Trends small business news roundups on a post called Marketing Mashup. Though we.


bench craft company


It’s not just the UK movie business that is suffering from draconian budget cuts because of the global financial crisis. Europe has an enormous hangover, too. And other European film industries are also suffering as EU governments scramble to reduce their debt mountains:


France

France's cinema unions say the French Senate finance committee's plan will have "catastrophic consequences" for French film and TV funding. That's because France's government wants to divert €128 million ($175 million) of revenue away from state film agency Centre National du Cinéma et de l’Image Animee (CNC) into its own coffers. This won't actually be a cut in CNC funding, just limiting next year's funding increase to a 7.6% improvement on this year's €575 million ($800 million) budget. The CNC is funded through a levy on cinema admissions – which are estimated to hit 210 million this year, the best for 20 years -- as well as a levy on DVD sales, a levy on broadcaster income and a levy on internet service providers. “Internet providers and VOD services are also now paying into the CNC coffers for the first time,” says Franck Priot, deputy head of inward-investment agency Film France. The CNC had been expecting an extra €171 million in income next year.


The government is also making its Sofica tax scheme – which raises money for film production through wealthy individuals – less attractive from an investor’s point of view. Last year 98 French films were financed through Sofica, which injected €36.2 million into French production. Still, says Priot, the scheme is so oversubscribed each year, even if the government does tighten things up, it won’t make a difference from a producer’s point of view. The scheme is always oversubscribed. Film France says that it doesn’t believe its own €920,000 budget – 90% of which comes through the CNC -- will be cut next year. Neither does it think that any of France’s 40 regional film commissions, 22 of which are financed by cities or the regions, will go out of business in 2011. Priot says there are always budget fluctuations, but that’s the same for any year. “Globally, it’s quite stable,” he tells me.


Germany

Local producers are afraid for the future of both national screen agency Filmförderunganstalt (FFA) – Germany’s equivalent of the CNC or the UK Film Council – and national film fund the DFFF. Germany was the European country which has suffered least during the global financial crisis. It also has a robust film sector. At least for now. Germany provides $400 million worth of soft money each year to producers, through a mixture of national and regional funds. English-language movies that have tapped German funding recently include Hanna, Unknown White Male and The Ghost Writer. But Germany’s Federal Constitutional Court is deciding whether payments made to the FFA by Germany’s cinemas have been unconstitutional. And Germany’s broadcasters are now able to pay less to the FFA than they have been annually – again because of a change in the law.


Although the FFA expects its annual €70 million budget to remain the same next year, it could go down after that. Last year the FFA spent €52 million overall, of which €28 million was spent on local production. That amount will almost certainly go down if TV broadcasters give less. The German Federal Film Fund (DFFF) was launched at the beginning of 2007 with an annual budget of €60 million. This fund usually offers foreign and local producers grants of up to €4 million ($6 million) per film as long as 25% of a film’s production costs are spent in Germany – although this can be upped to e10 million ($15 million) in special cases. The DFFF was extended last year to 2012 but there’s a question mark after that.


Matthias Schwarz of the German Producers Alliance tells me: “It seems okay for next year but we’re afraid for the future of DFFF and FFA. If both schemes are ruled unconstitutional, then it would be very bad news. And we have budget concerns for the DFFF from 2013 onwards.”


Meanwhile, Germany’s regional funds lend €146.4 million ($204 million) annually between them. Regional funding is divided up as follows: FFF Bayern (€27.6 million), Filmforderung Hamburg Schleswig-Holstein (€12.4 million), Filmstiftung NRW (€35.8 million), Hessen-Invest Film (€5 million) Medienboard Berlin-Brandenburg (€29.2 million), Mfg Baden-Wurttemberg (€8.3 million), Mitteldeutsche Meidenforderung (€16.5 million) and Nordmedia (€11.6 million). The total amount regional funds offer is approaching their historic high watermark of 5 years ago – after which funding declined. The funds expect producers to spend 100-150% of the amount they borrow locally. Loans are repaid over the exploitation of the film. Whatever a producer repays does not disappear into a general pot – rather, it’s set aside for the producer to re-use on his future project. And new regions such as Saxony-Anhalt, which is having a local boom, are coming online adding to what’s already on offer.


Another cloud is the amount German broadcasters invest in feature films. This percentage of the average film’s budget fell from 14% in 2007 to 7% last year. Broadcasters contributed €16 million to features co-funded by the FFA last year -- public TV injected €11 million, private channels €5 million. Schwarz says: “That’s a real problem. We have agreed with [public stations] ZDF and ARD that we need to talk about a number of issues including the number of Germany films on TV and how they’re scheduled, co-production levels and the amount broadcasters invest in local films.”


Iceland

Not part of the European Union, but a member of the wider European Economic Area, Iceland’s government slashed state film funding agreed for 2010 by 36% to IKR450 million ($3.4 million). This means there’s only enough money to back 3 features in 2010, plus a couple of feature documentaries. Iceland released 11 home-grown films last year. State broadcaster RUV announced it was reducing its investment in local film production due to budget cuts. Ari Kristinsson, head of the Association of Icelandic Film Producers, says that local film industry has collapsed and called the cuts “a massacre”.


Ireland

Simon Perry, CEO of state agency the Irish Film Board, expects his budget will be cut again next year by 15% to €14 million ($19.4 million). This year’s IFB budget of €16.5 million is already 5% down on last year’s. Such swinging cuts are necessary because there’s a €19 billion gap between what Ireland raises in taxes and what it spends each year. Last month, Ireland bailed out the Irish banking system to the tune of €44 billion. The country’s budget deficit is projected to equal 32% of GDP – 10 times the amount permitted under European Union guidelines.


Italy

The opening night of the International Rome Film Festival was disrupted last month as Italy’s film industry protested over government cuts. Over 1,000 incensed actors, directors, producers and other film professionals invaded the red carpet at Rome’s Auditorium Parco Della Musica, angered that the Berlusconi government has reduced Italy’s single arts fund, FUS, down to its lowest level in 20 years. This year the arts fund budget is below €300 million ($416 million) compared with €500 million 3 years ago. Cinema’s share of this year’s FUS funding is around €60 million. That’s small beer compared with what’s on offer in France and Germany. On top of that producers are still owed €50 million from previous years' funding rounds, which means there’s hardly anything left this year for the entire Italian film industry. The protest was also fuelled by fears that Italy’s new tax breaks, both for local and international production, may not be renewed. Silvio Berlusconi's government introduced longed-for tax breaks last year, overhauling Italy's old subsidy system which backed lots of films nobody went to see. But the government has included the new tax breaks on a list of possible recession cutbacks. Riccardo Tozzi, president of Italian producers’ association Anica who also runs Universal's Italian outpost Cattleya, tells me confirmation of tax credit legislation is expected by the end of this month.


Netherlands

The Dutch film industry is facing a horrendous crisis. It is estimated that cultural funding in the Netherlands will nearly be halved, once national and local cuts take effect. The cuts won’t really bite for another 5 years however. The new Coalition between the right-of-centre Liberals and the centre-right Christian Democrats has agreed to cut culture funding by €200 million ($277 million) a year from 2015. The government has described the arts and culture as “left-wing hobbies”. Cuts will be staggered until then: beginning with €30 million next year; €50 million in 2012; €100 million in 2013; €150 million in 2014. That €200 million figure is just above 21% of the current culture budget. Total state funding is being cut by 13%, which means culture is disproportionately hard hit. Local government in cities and provinces will also receive less money, and, as they subsidise cultural institutions too, the blow will be much bigger.


Eye, the new umbrella Dutch film agency which launched in January, will have its budget increased next year to €12 million. It is also due to move into an eye-poppingly modernist building in Amsterdam next year. Like the soon-to-be-defunct UK Film Council, Eye has brought together a number of film organisations: Filmbank, promotional agency Holland Film, the Netherlands Institute for Film Education and the Filmmuseum.


The Netherlands Film Fund, which is likely to move into the Eye building, has an annual budget of €35.5 million until end-2011. It is likely that the Film Fund will lose its annual €12 million “matching” fund though. This matching fund was introduced in 2008 to replace the Dutch tax break. It matches investment from either private or public investors. Because the money comes from the Finance Ministry, it’s likely this kind of fund will be an easy target. “The fear is that the supplementary fund will be one of the first to be knocked off,” says Dutch director and producer Ate De Jong. “The film sector won’t be affected too much until 2012, so we have some time to regroup – although nobody knows how.”


Both the Eye and the Netherlands Film Fund receive local funding. How much each will lose of that is being worked out at the moment. On top of direct cuts, state broadcaster NPO is having its budget cut by up to €200 million a year by 2015. The government is talking about closing down one channel if NPO can’t meet the cuts itself.


Spain

The budget for state film agency the Instituto de la Cinematografia y de las Artes Audiovisuales has been cut by 19.3% to €86 million ($119 million) in 2011. This year’s budget is €107 million. And the scenario for 2012 and 2013 seems even worse, Fabia Buenaventura, director general of producers’ association FAPAE, tells me -- although there’s nothing official yet. Last month ICAA director Ignasi Guardans was sacked to be replaced by Carlos Cuatros, director of Spain’s film academy. In May the agency halved the amount filmmakers can claim through the automatic subsidy system, pegged to box office performance, to €400,000 ($500,000). The ceiling producers can claim through selective funding was cut by 25% to €1.5 million. Spain launched a new €85m film fund at the beginning of this year. US movies that have accessed the fund -- which caused unrest with small, indie producers who felt frozen out by the focus on bigger, more commercial films -- include Juan Antonio Bayona’s The Impossible, starring Ewan McGregor, and Juan Carlos Fresnadillo’s Intruders, starring Clive Owen.


Britain

It was midnight in Los Angeles on July 24 when UK arts minister Ed Vaizey telephoned Tim Bevan, chairman of the UK Film Council, to tell him that his organisation was being abolished. The news came out of the blue. “I was surprised not to have had a conversation beforehand,” Bevan said later. The Working Title boss telephoned Film Council CEO John Woodward to tell him what had happened the next day. Woodward compared the decision to close down his organisation to being run over by a bus. Closing down the UKFC is expected to save £2.5 million a year. The government has assured the worried British film industry that the £26 million it currently gets through National Lottery funding will not only continue, but will increase to £43 million a year post 2014 (once the 2012 London Olympics are out of the way). And the UK tax credit, designed to attract Hollywood inward investment, which costs around £100 million annually, is safe.


It’s not just the UK Film Council that has been swiped by the government’s spending cuts. The Culture Ministry’s budget will be reduced from £1.4 billion to £1.1 billion by 2014/2015. The British Film Institute has had its budget cut by 15% from £16 million to £14.6 million. The British Council, which promotes UK film culture abroad, has had its total budget, provided by the Foreign Office, cut from £181 million to £149 million by 2014. The Film Industry Training Board is set to be privatised. Its chairman Iain Smith told me that, again, the government’s decision came out of the blue.


Worse, film funding outside of the BFI and the lottery, has been slashed by over 50%. The budget for all other film activity from now on will be £4.7 million – down from £9.4 million this year, says the Department for Culture, Media and Sport. The £4.7 million has to cover all the work of the regional film commissions, certifying whether films are British to qualify for the film tax credit, and a host of other activities. Regional screen agencies, which encourage local film production, are braced to have their budgets cut by 15% too.


If we were a bit more cutting edge, gritty and satirical we could squeeze out an excellent joke around GAME trying to compete with Steam and being a bit confused about what part of their business model they need to turn digital (hint: the games as well as the store). People expect more from us upstanding journalist types, however, so when we do roundly mock GAME and their slightly odd choice of venue (or rather publicity stunt), we phrase it as a what if scenario so nobody catches on.




Apparently there’s a place called Moonbase in there, where the new shops are located, one of which is quaintly titled Moonbase Shop and a second one called GAME V. The first shop is for real people to order real games in the fake world and the V one is for the fake people the real people are piloting through the fake world to buy clothes and digital toothpaste and whatever else Sony will make available for them. We’re confident everyone got all that and if you didn’t you’ll see it for itself tomorrow, when it’s launched.




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Good <b>News</b>, College Grads (Except Lawyers)!

Moderately good news, unemployed college graduates! A new report on hiring trends says that hiring of graduates with bachelor's degrees or MBAs will surge by 10% next year. Green shoots! As long as you didn't go to law school.

Great <b>News</b>: The Donald May Agree to be President « Hot Air

During a longer video with Fox News (video) The Donald goes into more detail about how the world has lost respect for America under the Obama administration, as well as the need for his type of “finesse” to be a truly effective ...

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Good <b>News</b>, College Grads (Except Lawyers)!

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Great <b>News</b>: The Donald May Agree to be President « Hot Air

During a longer video with Fox News (video) The Donald goes into more detail about how the world has lost respect for America under the Obama administration, as well as the need for his type of “finesse” to be a truly effective ...

Small Business <b>News</b>: Direct Marketing Diorama

Not too long ago, we received a comment from a reader of our Small Business Trends small business news roundups on a post called Marketing Mashup. Though we.


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Good <b>News</b>, College Grads (Except Lawyers)!

Moderately good news, unemployed college graduates! A new report on hiring trends says that hiring of graduates with bachelor's degrees or MBAs will surge by 10% next year. Green shoots! As long as you didn't go to law school.

Great <b>News</b>: The Donald May Agree to be President « Hot Air

During a longer video with Fox News (video) The Donald goes into more detail about how the world has lost respect for America under the Obama administration, as well as the need for his type of “finesse” to be a truly effective ...

Small Business <b>News</b>: Direct Marketing Diorama

Not too long ago, we received a comment from a reader of our Small Business Trends small business news roundups on a post called Marketing Mashup. Though we.


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Good <b>News</b>, College Grads (Except Lawyers)!

Moderately good news, unemployed college graduates! A new report on hiring trends says that hiring of graduates with bachelor's degrees or MBAs will surge by 10% next year. Green shoots! As long as you didn't go to law school.

Great <b>News</b>: The Donald May Agree to be President « Hot Air

During a longer video with Fox News (video) The Donald goes into more detail about how the world has lost respect for America under the Obama administration, as well as the need for his type of “finesse” to be a truly effective ...

Small Business <b>News</b>: Direct Marketing Diorama

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During a longer video with Fox News (video) The Donald goes into more detail about how the world has lost respect for America under the Obama administration, as well as the need for his type of “finesse” to be a truly effective ...

Small Business <b>News</b>: Direct Marketing Diorama

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Wednesday, 17 November 2010

foreclosure auctions


Back in the 1980s, a colleague was getting a doctorate at Harvard Business School and had to take a seminar in statistical methods. Each participant was assigned a paper and was required to present to the class a critique of the statistical approaches employed.


The paper he was given was a dissertation that had caused a bit of chatter in financial economics circles. The author had used prices at which the Fed bought and sold Treasuries in its daily open market operations, and had used them to analyze the results the Treasury achieved in its periodic bond auctions. The paper concluded that the Treasury was doing a bad job, the prices it was getting at its auctions were far worse than those recorded by the Fed in its daily market operations.


When it came time for his session, my colleague stood before the class, gave a brief outline of the paper’s argument and approach, and said, “I have only one comment. Typical Fed daily market operation purchases and sales are in the millions of dollars. Treasury bond actions are in the billions. The data in this paper is irrelevant to the question it purports to analyze.” He then sat down.


He got an A for the course. And he went on to become a business school professor.


An analysis posted by the law firm, SNR Denton, “Commentary on Transfers of Mortgage Loans to RMBS Securitization Trusts,’ makes a conceptual error similar to that of the paper my colleague thrashed. It makes a very long and impressive sounding rebuttal of the line of argument made with increasing success by attorneys in court, and recapped on this blog: that the parties to the mortgage securitization failed to take the steps required to convey the borrower promissory notes and related liens (technically, the mortgage or in some states, the deed of trust) to the the securitzation entity, a trust. But as we will show, the arguments made in the article are simply irrelevant.


And unlike the graduate student who performed the misguided Fed/Treasury analysis, SNR Denton clearly knows better. SNR Denton is effectively the successor to Thatcher, Proffitt & Wood. Thatcher Proffitt was a leader, arguably the leader, in devising the legal structures and documents for mortgage securitizations.


Let’s start from the top of the article, since the efforts to misdirect start there:


There is a tremendous amount of public commentary these days about possible defects in foreclosure proceedings commenced by loan servicers.


Notice how the problem is framed as relating to “public commentary.” There is no acknowledgment of the fact that many judges have dismissed foreclosures because the party attempting to foreclose was unable to prove it had standing, or that the servicers themselves have admitted to problems (albeit of a type they are trying to pass off as merely procedural, that of the use of improper affidavits). In fact, there are problems with foreclosures that have been surfacing in courts all over the US, to the point where the media has taken notice and the servicers have had to take action to address a particular type of abuse. But according to SNR Denton, this problem is merely one of perception.


After a few words about affidavits, we get to this:


Within this overall dialogue, however, more fundamental issues have been raised challenging both the validity of the procedures used to convey mortgage loans into securitization trusts and the qualification of the securitization trusts as a real estate mortgage investment conduit (“REMIC”) at the time those trusts were formed. These statements are false and misguided.


The reasoning behind these statements appears to be as follows: (i) in order to satisfy procedural requirements in connection with foreclosure, certain steps may need to be taken in order to document the ownership of a mortgage loan by the securitization trust, and (ii) since not all of these steps were taken at the time of the securitization, the securitization trust must not own the mortgage loan. This reasoning is faulty, because some of the steps that may be required under applicable state law in order to bring a foreclosure action are not required to transfer ownership of the mortgage loan.


The purpose of this article is to refute these challenges to the efficacy of mortgage loan transfers to securitization trusts. Simply stated, the industry standard procedures used for decades in transferring mortgage loans to securitization vehicles comply with the well-settled principles of law governing the transfer of mortgage loans, and therefore are effective to transfer ownership of the mortgage loans.


Yves here. Accusations like “false” and “misguided” imply that what follows is gospel truth, or at least defensible. Yet instead what SNR Denton provides is a series of arguments that are at best narrowly accurate but irrelevant. One can only conclude the intent of the article is to mislead.


The article never directly recites the argument made here, which is that there is substantial evidence that in many cases, the notes were not conveyed to the trust as stipulated. As we have discussed, the pooling and servicing agreement, which governs who does what when in a mortgage securitization, requires the note (the borrower IOU) to be endorsed (just like a check, signed by one party over to the next), showing the full chain of title. The minimum conveyance chain in recent vintage transactions is A (originator) => B (sponsor) => C (depositor) => D (trust).


The proper conveyance of the note is crucial, since the mortgage, which is the lien, is a mere accessory to the note and can be enforced only by the proper note holder (the legalese is “real party of interest”). The investors in the mortgage securitization relied upon certifications by the trustee for the trust at and post closing that the trust did indeed have the assets that the investors were told it possessed.


Effectively, what the article endeavors to do is focus attention on aspects of the law that might be helpful to the securitization industry but are not germane. For instance, relies upon “general custom and practice in the sale of mortgage loans” and the UCC, which is the Uniform Commercial Code (which has been enacted in all 50 states, with relatively few state-level idiosyncrasies).


But rub comes not from the legal considerations surrounding note/mortgage conveyance, but the particular stipulations of the pooling and servicing agreement, which all the parties agreed to. And it is also clear that the provisions of the PSA trump the UCC.


Article 1 of the UCC allows the parties to an agreement to vary the terms (Ie deviate from the UCC) by agreement. The key points of the germane section:


1-302 Variation by Agreement


(a) The effect of provisions of this Chapter may be varied by agreement.


(b) Good faith, diligence and reasonableness are the only terms that may not be changed by agreement.


(c) The presence of the words “unless otherwise agreed” does not imply that other provisions of this Chapter may not be varied by an agreement of the parties.


That means the UCC governs only with respect to issues not varied by agreement in the PSA.


Section 2 of the PSA stipulates provisions that deviate from the UCC. Typical provisions:



Section 2.01. Conveyance of Mortgage Loans.


Each seller hereby:


Sells, transfers, assigns, sets over and otherwise conveys to the depositor, without recourse, all the right, title and interest of such seller in and to the applicable mortgage loans.


The sales shall be as provided in this agreement.


Delivery shall be on or before the applicable cut-off date


The documents shall be delivered to the Master Servicer before the cut-off date


The Master Servicer confirms that all sellers have made such transfers and deposits before the cut-off date¡


Sellers by such deposits have conveyed to the Trustee for benefit of Certificate Holders all right, title and interest in and to the mortgage loans



The PSA also very clearly provided for an unbroken chain of assignments and transfers thought the parties (the A-B-C-D or more cited above). The use of intermediary parties between the originator and the trust, with a “true sale” occurring at each step, was intended to create FDIC and bankruptcy remoteness. The investors (who are called the certificate holders in the PSA) did not want a creditor of a bankrupt originator to be able to seize notes back out of the trust.


Some PSAs allowed for each party to endorse in blank, but the note still had to have endorsements by all the parties in the conveyance chain, while others stipulated that each endorsement had to be to the next party in the chain. However per NY trust law (and New York law was chosen in the vast majority of cases to govern the trust), the final endorsement had to be to the trust, not in blank.


The “unless otherwise agreed” language in Article 1 means you cannot rely on perfection solely by the UCC. It also means possession of the original note does not prove either ownership or perfection.


Now are any of these issues addressed in the SNR Denton article? Not really. The PSA is mentioned only in passing; the article weight heavily on the UCC. This part comes closest is under a section that discusses “general custom and practice in the sale of mortgage loans.” This is a backwards acknowledgment of what we and other have described: that in 2004, perhaps earlier, the securitization industry started ignoring the requirements of the PSA and would effect the transfers through the A-B-C-D parties via e-mailing lists of loan numbers (which were verified at each step) and wire transfers. SNR Denton is effectively arguing by invoking “general custom and practice” that we all should accept how then industry did things, you can make a legal case for it, as long as you ignore the sections of the PSA which govern what was supposed to happen.


Here are the sections of the SNR Denton piece that come closest to addressing the matters at hand:


In a private label RMBS transaction, the relevant contractual agreement is typically a pooling and servicing agreement, which conveys the mortgage loans from the depositor to the trustee on behalf of the securitization trust. Another relevant document could include a separate mortgage loan purchase agreement, under which the mortgage loans are sold by the sponsor to the depositor immediately prior to the sale from the depositor to the trust, with representations and warranties that are assigned to the trustee. These documents contain clear granting language that conveys ownership of all of the seller’s “right, title and interest in and to” the mortgage loans to the trustee on behalf of the securitization trust. There is a schedule or exhibit to these documents that specificly identifies each loan sold under the agreement.


Note that none of this acknowledges the requirement of the PSA that the note be endorsed to show the full chain of conveyance. Also observe the emphasis on ” These documents contain clear granting language that conveys ownership…”. The documents cannot alone convey ownership; the stipulated steps also have to be completed. The article does acknowledge the importance of delivery of the note in the following section, but again fails to address the PSA issues:


Physical delivery of the mortgage note to the purchaser or its agent, together with an endorsement of the note by the seller in blank, are also key components in the sale of mortgage loans for several reasons.


As we indicated, many PSAs required specific endorsement (to a particular party), not in blank, so this is inaccurate (except as far as describing “general custom”). The article repeats its assertion about endorsements in blank (note the section we boldfaced):


Notes may be delivered to the purchaser with an endorsement in blank. It is common for a mortgage note for a mortgage loan that has been sold to have stamped on it an endorsement to the effect of “Pay to the order of _____________, without recourse”, signed by the originator or a subsequent purchaser. Such an endorsement has the effect that any subsequent transfer of the note presumptively only requires physical delivery (i.e., with no additional endorsement). Therefore, where there are successive purchasers to a note, the endorsement in blank by any prior holder is a sufficient endorsement for purposes of the most recent purchaser.


As we indicated, that’s rubbish. The boldfaced language falsely claims that if the note was endorsed by A in the prototypical A-B-C-D chain we set forth earlier, then D could rely simply on the endorsement by A. In fact, the PSA required the full chain of endorsement and also required the depositor (the C party) endorse the note to the trustee (it is New York trust law requirements, not specified in the PSA, which would call for the final endorsement to be to the specific trust, not just the trustee).


Some other assertions are matter of fact, not law, and SNR Denton appears not to be on top of the facts:


In private label RMBS transactions, the prevailing and nearly universally-followed practice has been for the endorsed notes to be physically delivered to the trustee, or to a custodian as the trustee’s agent, at the closing of the securitization.


First, we’ve had industry executives of large “private label”, meaning non-Fannie/Freddie originators say the notes were never conveyed from the originator, and not simply for their bank, but across the industry. It appears they were conveyed only when someone needed to foreclose, which was well after the closing of the trust.


Second, there is ample evidence in court across the country of out of time assignments. of the note and the related lien being assigned to the trust shortly before a foreclosure action was commenced, in some cased, even afterwards, so again well after the closing of trust.


If you parse the piece carefully, its contentions hinge on these arguments, which in turn hinge on ignoring key provisions of the PSA and not integrating New York trust law considerations.


It ends on a indignant tone, and amusingly, resorts to the new preferred bankster line, “loose lips will tank the markets”:


We believe that the recent allegations of possible wholesale failures to convey ownership of mortgage loans to private label RMBS trusts are baseless and unfounded. All parties to these transactions, including issuers, underwriters, trustees and investors, clearly intended that the transactions convey ownership of the loans to the trusts, and appropriate steps were taken to effect such conveyance in accordance with well-settled legal principles governing transfers of mortgage loans. Any attempts to assert otherwise today are inaccurate and uninformed, and, if left to stand unchallenged, could cause substantial and unwarranted harm to the economy.


These arguments are “baseless and unfounded” only if you do readings of the law intended to favor your clients and ignore ample evidence in past and present court cases. If SNR Denton doesn’t like what it is reading on this blog, I suggest it take up the matter with the judges who are looking at the evidence and the terms of the PSA and are in a fair number of cases ruling against the servicers and trusts for having failed to prove their standing to foreclose.


To put it another way, if this is the best defense a leading law firm in the securitization industry can mount, it shows they have a weak case.


The Huffington Post Investigative Fund website (the first I’ve heard of it) has a lengthy article on a new way that big banks are driving foreclosures. Apparently local governments do not have the resources to pursue property tax collection themselves so they bundle up past due liens and sell them off to investors that can then collect or foreclose. I hadn’t heard of this practice but the article makes it sound like it has been long standing. What it says is new in the arena is the activity of major banks and hedge funds that buy the debts and then tack on massive “legal fees.”


For example:


In May, the Investigative Fund reported how an unemployed former mental health counselor with four children named Vicki Valentine lost her home even though the mortgage had been paid in full. She had owed $362 on an overdue water bill when investors took over and added thousands of dollars in legal fees she couldn’t afford…


D.C. Attorney General Nickles criticizes Aeon Financial, LLC, a bank-financed investment group from Chicago that buys tax liens in some 10 states. Nickles asserts that Aeon has slammed homeowners, who sometimes owed just a few hundred dollars in back taxes, with $7,000 or more in legal fees.


This is in addition to upwards of 18% interest. When people can’t pay then the homes are taken to foreclosure. What is particularly egregious about this process is that everything is done through front companies that are sometimes not even registered in the country. Not even the governments know who they are dealing with:


Banks and hedge funds usually buy the liens through online auctions that permit them to bid in bulk, and they can use any name they want.


The giant Bank of America, for instance, has bid in Florida tax lien sales using colorful names such as Bennu, LLC, named after a mythical bird said to be the soul of the ancient Egyptian sun god. It also has bid as Osprey, LLC, and Ecru, LLC, named after the French word for a pale brown color…


Tax collectors in Florida don’t always know who they’re doing business with, either. Officials in Pinellas County want to know who exactly is behind a company called GL Funding Limited. Sales records show that GL Funding spent more than $10 million and dominated the tax sale in at least 10 Florida counties, most of them rural or smaller cities where interest rates tended to be much higher than in urban and resort areas.


GL Funding registered with several Florida tax collectors as a company with offices in the Cayman Islands. But other counties list a post office box in Philadelphia as its address. The person who registered GL Funding in Pinellas County’s tax sale provided Pinellas with a telephone number in Dallas, Tex. At that number, a man named Jess Weir declined to tell the Investigative Fund who is investing through the name GL Funding.


Said Sam McClelland, deputy tax collector in Pinellas County, Fla., where GL Funding acquired hundreds of liens earlier this year: “We’re still trying to sort this out.”


Yes, banks that are backed explicitly and implicitly by hundreds of billions of dollars from the government each year are tacking on thousands of dollars of fees and then foreclosing on people that owed a few hundred bucks…from the shadows. Ecru, indeed.



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Back in the 1980s, a colleague was getting a doctorate at Harvard Business School and had to take a seminar in statistical methods. Each participant was assigned a paper and was required to present to the class a critique of the statistical approaches employed.


The paper he was given was a dissertation that had caused a bit of chatter in financial economics circles. The author had used prices at which the Fed bought and sold Treasuries in its daily open market operations, and had used them to analyze the results the Treasury achieved in its periodic bond auctions. The paper concluded that the Treasury was doing a bad job, the prices it was getting at its auctions were far worse than those recorded by the Fed in its daily market operations.


When it came time for his session, my colleague stood before the class, gave a brief outline of the paper’s argument and approach, and said, “I have only one comment. Typical Fed daily market operation purchases and sales are in the millions of dollars. Treasury bond actions are in the billions. The data in this paper is irrelevant to the question it purports to analyze.” He then sat down.


He got an A for the course. And he went on to become a business school professor.


An analysis posted by the law firm, SNR Denton, “Commentary on Transfers of Mortgage Loans to RMBS Securitization Trusts,’ makes a conceptual error similar to that of the paper my colleague thrashed. It makes a very long and impressive sounding rebuttal of the line of argument made with increasing success by attorneys in court, and recapped on this blog: that the parties to the mortgage securitization failed to take the steps required to convey the borrower promissory notes and related liens (technically, the mortgage or in some states, the deed of trust) to the the securitzation entity, a trust. But as we will show, the arguments made in the article are simply irrelevant.


And unlike the graduate student who performed the misguided Fed/Treasury analysis, SNR Denton clearly knows better. SNR Denton is effectively the successor to Thatcher, Proffitt & Wood. Thatcher Proffitt was a leader, arguably the leader, in devising the legal structures and documents for mortgage securitizations.


Let’s start from the top of the article, since the efforts to misdirect start there:


There is a tremendous amount of public commentary these days about possible defects in foreclosure proceedings commenced by loan servicers.


Notice how the problem is framed as relating to “public commentary.” There is no acknowledgment of the fact that many judges have dismissed foreclosures because the party attempting to foreclose was unable to prove it had standing, or that the servicers themselves have admitted to problems (albeit of a type they are trying to pass off as merely procedural, that of the use of improper affidavits). In fact, there are problems with foreclosures that have been surfacing in courts all over the US, to the point where the media has taken notice and the servicers have had to take action to address a particular type of abuse. But according to SNR Denton, this problem is merely one of perception.


After a few words about affidavits, we get to this:


Within this overall dialogue, however, more fundamental issues have been raised challenging both the validity of the procedures used to convey mortgage loans into securitization trusts and the qualification of the securitization trusts as a real estate mortgage investment conduit (“REMIC”) at the time those trusts were formed. These statements are false and misguided.


The reasoning behind these statements appears to be as follows: (i) in order to satisfy procedural requirements in connection with foreclosure, certain steps may need to be taken in order to document the ownership of a mortgage loan by the securitization trust, and (ii) since not all of these steps were taken at the time of the securitization, the securitization trust must not own the mortgage loan. This reasoning is faulty, because some of the steps that may be required under applicable state law in order to bring a foreclosure action are not required to transfer ownership of the mortgage loan.


The purpose of this article is to refute these challenges to the efficacy of mortgage loan transfers to securitization trusts. Simply stated, the industry standard procedures used for decades in transferring mortgage loans to securitization vehicles comply with the well-settled principles of law governing the transfer of mortgage loans, and therefore are effective to transfer ownership of the mortgage loans.


Yves here. Accusations like “false” and “misguided” imply that what follows is gospel truth, or at least defensible. Yet instead what SNR Denton provides is a series of arguments that are at best narrowly accurate but irrelevant. One can only conclude the intent of the article is to mislead.


The article never directly recites the argument made here, which is that there is substantial evidence that in many cases, the notes were not conveyed to the trust as stipulated. As we have discussed, the pooling and servicing agreement, which governs who does what when in a mortgage securitization, requires the note (the borrower IOU) to be endorsed (just like a check, signed by one party over to the next), showing the full chain of title. The minimum conveyance chain in recent vintage transactions is A (originator) => B (sponsor) => C (depositor) => D (trust).


The proper conveyance of the note is crucial, since the mortgage, which is the lien, is a mere accessory to the note and can be enforced only by the proper note holder (the legalese is “real party of interest”). The investors in the mortgage securitization relied upon certifications by the trustee for the trust at and post closing that the trust did indeed have the assets that the investors were told it possessed.


Effectively, what the article endeavors to do is focus attention on aspects of the law that might be helpful to the securitization industry but are not germane. For instance, relies upon “general custom and practice in the sale of mortgage loans” and the UCC, which is the Uniform Commercial Code (which has been enacted in all 50 states, with relatively few state-level idiosyncrasies).


But rub comes not from the legal considerations surrounding note/mortgage conveyance, but the particular stipulations of the pooling and servicing agreement, which all the parties agreed to. And it is also clear that the provisions of the PSA trump the UCC.


Article 1 of the UCC allows the parties to an agreement to vary the terms (Ie deviate from the UCC) by agreement. The key points of the germane section:


1-302 Variation by Agreement


(a) The effect of provisions of this Chapter may be varied by agreement.


(b) Good faith, diligence and reasonableness are the only terms that may not be changed by agreement.


(c) The presence of the words “unless otherwise agreed” does not imply that other provisions of this Chapter may not be varied by an agreement of the parties.


That means the UCC governs only with respect to issues not varied by agreement in the PSA.


Section 2 of the PSA stipulates provisions that deviate from the UCC. Typical provisions:



Section 2.01. Conveyance of Mortgage Loans.


Each seller hereby:


Sells, transfers, assigns, sets over and otherwise conveys to the depositor, without recourse, all the right, title and interest of such seller in and to the applicable mortgage loans.


The sales shall be as provided in this agreement.


Delivery shall be on or before the applicable cut-off date


The documents shall be delivered to the Master Servicer before the cut-off date


The Master Servicer confirms that all sellers have made such transfers and deposits before the cut-off date¡


Sellers by such deposits have conveyed to the Trustee for benefit of Certificate Holders all right, title and interest in and to the mortgage loans



The PSA also very clearly provided for an unbroken chain of assignments and transfers thought the parties (the A-B-C-D or more cited above). The use of intermediary parties between the originator and the trust, with a “true sale” occurring at each step, was intended to create FDIC and bankruptcy remoteness. The investors (who are called the certificate holders in the PSA) did not want a creditor of a bankrupt originator to be able to seize notes back out of the trust.


Some PSAs allowed for each party to endorse in blank, but the note still had to have endorsements by all the parties in the conveyance chain, while others stipulated that each endorsement had to be to the next party in the chain. However per NY trust law (and New York law was chosen in the vast majority of cases to govern the trust), the final endorsement had to be to the trust, not in blank.


The “unless otherwise agreed” language in Article 1 means you cannot rely on perfection solely by the UCC. It also means possession of the original note does not prove either ownership or perfection.


Now are any of these issues addressed in the SNR Denton article? Not really. The PSA is mentioned only in passing; the article weight heavily on the UCC. This part comes closest is under a section that discusses “general custom and practice in the sale of mortgage loans.” This is a backwards acknowledgment of what we and other have described: that in 2004, perhaps earlier, the securitization industry started ignoring the requirements of the PSA and would effect the transfers through the A-B-C-D parties via e-mailing lists of loan numbers (which were verified at each step) and wire transfers. SNR Denton is effectively arguing by invoking “general custom and practice” that we all should accept how then industry did things, you can make a legal case for it, as long as you ignore the sections of the PSA which govern what was supposed to happen.


Here are the sections of the SNR Denton piece that come closest to addressing the matters at hand:


In a private label RMBS transaction, the relevant contractual agreement is typically a pooling and servicing agreement, which conveys the mortgage loans from the depositor to the trustee on behalf of the securitization trust. Another relevant document could include a separate mortgage loan purchase agreement, under which the mortgage loans are sold by the sponsor to the depositor immediately prior to the sale from the depositor to the trust, with representations and warranties that are assigned to the trustee. These documents contain clear granting language that conveys ownership of all of the seller’s “right, title and interest in and to” the mortgage loans to the trustee on behalf of the securitization trust. There is a schedule or exhibit to these documents that specificly identifies each loan sold under the agreement.


Note that none of this acknowledges the requirement of the PSA that the note be endorsed to show the full chain of conveyance. Also observe the emphasis on ” These documents contain clear granting language that conveys ownership…”. The documents cannot alone convey ownership; the stipulated steps also have to be completed. The article does acknowledge the importance of delivery of the note in the following section, but again fails to address the PSA issues:


Physical delivery of the mortgage note to the purchaser or its agent, together with an endorsement of the note by the seller in blank, are also key components in the sale of mortgage loans for several reasons.


As we indicated, many PSAs required specific endorsement (to a particular party), not in blank, so this is inaccurate (except as far as describing “general custom”). The article repeats its assertion about endorsements in blank (note the section we boldfaced):


Notes may be delivered to the purchaser with an endorsement in blank. It is common for a mortgage note for a mortgage loan that has been sold to have stamped on it an endorsement to the effect of “Pay to the order of _____________, without recourse”, signed by the originator or a subsequent purchaser. Such an endorsement has the effect that any subsequent transfer of the note presumptively only requires physical delivery (i.e., with no additional endorsement). Therefore, where there are successive purchasers to a note, the endorsement in blank by any prior holder is a sufficient endorsement for purposes of the most recent purchaser.


As we indicated, that’s rubbish. The boldfaced language falsely claims that if the note was endorsed by A in the prototypical A-B-C-D chain we set forth earlier, then D could rely simply on the endorsement by A. In fact, the PSA required the full chain of endorsement and also required the depositor (the C party) endorse the note to the trustee (it is New York trust law requirements, not specified in the PSA, which would call for the final endorsement to be to the specific trust, not just the trustee).


Some other assertions are matter of fact, not law, and SNR Denton appears not to be on top of the facts:


In private label RMBS transactions, the prevailing and nearly universally-followed practice has been for the endorsed notes to be physically delivered to the trustee, or to a custodian as the trustee’s agent, at the closing of the securitization.


First, we’ve had industry executives of large “private label”, meaning non-Fannie/Freddie originators say the notes were never conveyed from the originator, and not simply for their bank, but across the industry. It appears they were conveyed only when someone needed to foreclose, which was well after the closing of the trust.


Second, there is ample evidence in court across the country of out of time assignments. of the note and the related lien being assigned to the trust shortly before a foreclosure action was commenced, in some cased, even afterwards, so again well after the closing of trust.


If you parse the piece carefully, its contentions hinge on these arguments, which in turn hinge on ignoring key provisions of the PSA and not integrating New York trust law considerations.


It ends on a indignant tone, and amusingly, resorts to the new preferred bankster line, “loose lips will tank the markets”:


We believe that the recent allegations of possible wholesale failures to convey ownership of mortgage loans to private label RMBS trusts are baseless and unfounded. All parties to these transactions, including issuers, underwriters, trustees and investors, clearly intended that the transactions convey ownership of the loans to the trusts, and appropriate steps were taken to effect such conveyance in accordance with well-settled legal principles governing transfers of mortgage loans. Any attempts to assert otherwise today are inaccurate and uninformed, and, if left to stand unchallenged, could cause substantial and unwarranted harm to the economy.


These arguments are “baseless and unfounded” only if you do readings of the law intended to favor your clients and ignore ample evidence in past and present court cases. If SNR Denton doesn’t like what it is reading on this blog, I suggest it take up the matter with the judges who are looking at the evidence and the terms of the PSA and are in a fair number of cases ruling against the servicers and trusts for having failed to prove their standing to foreclose.


To put it another way, if this is the best defense a leading law firm in the securitization industry can mount, it shows they have a weak case.


The Huffington Post Investigative Fund website (the first I’ve heard of it) has a lengthy article on a new way that big banks are driving foreclosures. Apparently local governments do not have the resources to pursue property tax collection themselves so they bundle up past due liens and sell them off to investors that can then collect or foreclose. I hadn’t heard of this practice but the article makes it sound like it has been long standing. What it says is new in the arena is the activity of major banks and hedge funds that buy the debts and then tack on massive “legal fees.”


For example:


In May, the Investigative Fund reported how an unemployed former mental health counselor with four children named Vicki Valentine lost her home even though the mortgage had been paid in full. She had owed $362 on an overdue water bill when investors took over and added thousands of dollars in legal fees she couldn’t afford…


D.C. Attorney General Nickles criticizes Aeon Financial, LLC, a bank-financed investment group from Chicago that buys tax liens in some 10 states. Nickles asserts that Aeon has slammed homeowners, who sometimes owed just a few hundred dollars in back taxes, with $7,000 or more in legal fees.


This is in addition to upwards of 18% interest. When people can’t pay then the homes are taken to foreclosure. What is particularly egregious about this process is that everything is done through front companies that are sometimes not even registered in the country. Not even the governments know who they are dealing with:


Banks and hedge funds usually buy the liens through online auctions that permit them to bid in bulk, and they can use any name they want.


The giant Bank of America, for instance, has bid in Florida tax lien sales using colorful names such as Bennu, LLC, named after a mythical bird said to be the soul of the ancient Egyptian sun god. It also has bid as Osprey, LLC, and Ecru, LLC, named after the French word for a pale brown color…


Tax collectors in Florida don’t always know who they’re doing business with, either. Officials in Pinellas County want to know who exactly is behind a company called GL Funding Limited. Sales records show that GL Funding spent more than $10 million and dominated the tax sale in at least 10 Florida counties, most of them rural or smaller cities where interest rates tended to be much higher than in urban and resort areas.


GL Funding registered with several Florida tax collectors as a company with offices in the Cayman Islands. But other counties list a post office box in Philadelphia as its address. The person who registered GL Funding in Pinellas County’s tax sale provided Pinellas with a telephone number in Dallas, Tex. At that number, a man named Jess Weir declined to tell the Investigative Fund who is investing through the name GL Funding.


Said Sam McClelland, deputy tax collector in Pinellas County, Fla., where GL Funding acquired hundreds of liens earlier this year: “We’re still trying to sort this out.”


Yes, banks that are backed explicitly and implicitly by hundreds of billions of dollars from the government each year are tacking on thousands of dollars of fees and then foreclosing on people that owed a few hundred bucks…from the shadows. Ecru, indeed.



bench craft company scam

Energy Drinks Linked to Alcohol Problems - Health <b>News</b> - Health.com

College students who consume nonalcoholic energy drinks such as Red Bull at least once a week are more than twice as likely as their peers to show signs of alcohol dependence, according to a new study.

Pulse Brings You <b>News</b> and RSS in an Elegant Flow

Android/iOS: Blogs and news sites put all that effort into making their posts graphically appealing, so why not see what they've got? Pulse, a nicely different kind of news reader, pulls your news in through side-scrolling, ...

Google <b>News</b> experiments with metatags for publishers to give <b>...</b>

One of the biggest challenges Google News faces is one that seems navel-gazingly philosophical, but is in fact completely practical: how to determine authorship. In the glut of information on the web, much of it is, if not completely ...


benchcraft company scam

benchcraft company scam

Harbor Lights A223 by luckycomehawaii


bench craft company scam

Energy Drinks Linked to Alcohol Problems - Health <b>News</b> - Health.com

College students who consume nonalcoholic energy drinks such as Red Bull at least once a week are more than twice as likely as their peers to show signs of alcohol dependence, according to a new study.

Pulse Brings You <b>News</b> and RSS in an Elegant Flow

Android/iOS: Blogs and news sites put all that effort into making their posts graphically appealing, so why not see what they've got? Pulse, a nicely different kind of news reader, pulls your news in through side-scrolling, ...

Google <b>News</b> experiments with metatags for publishers to give <b>...</b>

One of the biggest challenges Google News faces is one that seems navel-gazingly philosophical, but is in fact completely practical: how to determine authorship. In the glut of information on the web, much of it is, if not completely ...


benchcraft company scam

Back in the 1980s, a colleague was getting a doctorate at Harvard Business School and had to take a seminar in statistical methods. Each participant was assigned a paper and was required to present to the class a critique of the statistical approaches employed.


The paper he was given was a dissertation that had caused a bit of chatter in financial economics circles. The author had used prices at which the Fed bought and sold Treasuries in its daily open market operations, and had used them to analyze the results the Treasury achieved in its periodic bond auctions. The paper concluded that the Treasury was doing a bad job, the prices it was getting at its auctions were far worse than those recorded by the Fed in its daily market operations.


When it came time for his session, my colleague stood before the class, gave a brief outline of the paper’s argument and approach, and said, “I have only one comment. Typical Fed daily market operation purchases and sales are in the millions of dollars. Treasury bond actions are in the billions. The data in this paper is irrelevant to the question it purports to analyze.” He then sat down.


He got an A for the course. And he went on to become a business school professor.


An analysis posted by the law firm, SNR Denton, “Commentary on Transfers of Mortgage Loans to RMBS Securitization Trusts,’ makes a conceptual error similar to that of the paper my colleague thrashed. It makes a very long and impressive sounding rebuttal of the line of argument made with increasing success by attorneys in court, and recapped on this blog: that the parties to the mortgage securitization failed to take the steps required to convey the borrower promissory notes and related liens (technically, the mortgage or in some states, the deed of trust) to the the securitzation entity, a trust. But as we will show, the arguments made in the article are simply irrelevant.


And unlike the graduate student who performed the misguided Fed/Treasury analysis, SNR Denton clearly knows better. SNR Denton is effectively the successor to Thatcher, Proffitt & Wood. Thatcher Proffitt was a leader, arguably the leader, in devising the legal structures and documents for mortgage securitizations.


Let’s start from the top of the article, since the efforts to misdirect start there:


There is a tremendous amount of public commentary these days about possible defects in foreclosure proceedings commenced by loan servicers.


Notice how the problem is framed as relating to “public commentary.” There is no acknowledgment of the fact that many judges have dismissed foreclosures because the party attempting to foreclose was unable to prove it had standing, or that the servicers themselves have admitted to problems (albeit of a type they are trying to pass off as merely procedural, that of the use of improper affidavits). In fact, there are problems with foreclosures that have been surfacing in courts all over the US, to the point where the media has taken notice and the servicers have had to take action to address a particular type of abuse. But according to SNR Denton, this problem is merely one of perception.


After a few words about affidavits, we get to this:


Within this overall dialogue, however, more fundamental issues have been raised challenging both the validity of the procedures used to convey mortgage loans into securitization trusts and the qualification of the securitization trusts as a real estate mortgage investment conduit (“REMIC”) at the time those trusts were formed. These statements are false and misguided.


The reasoning behind these statements appears to be as follows: (i) in order to satisfy procedural requirements in connection with foreclosure, certain steps may need to be taken in order to document the ownership of a mortgage loan by the securitization trust, and (ii) since not all of these steps were taken at the time of the securitization, the securitization trust must not own the mortgage loan. This reasoning is faulty, because some of the steps that may be required under applicable state law in order to bring a foreclosure action are not required to transfer ownership of the mortgage loan.


The purpose of this article is to refute these challenges to the efficacy of mortgage loan transfers to securitization trusts. Simply stated, the industry standard procedures used for decades in transferring mortgage loans to securitization vehicles comply with the well-settled principles of law governing the transfer of mortgage loans, and therefore are effective to transfer ownership of the mortgage loans.


Yves here. Accusations like “false” and “misguided” imply that what follows is gospel truth, or at least defensible. Yet instead what SNR Denton provides is a series of arguments that are at best narrowly accurate but irrelevant. One can only conclude the intent of the article is to mislead.


The article never directly recites the argument made here, which is that there is substantial evidence that in many cases, the notes were not conveyed to the trust as stipulated. As we have discussed, the pooling and servicing agreement, which governs who does what when in a mortgage securitization, requires the note (the borrower IOU) to be endorsed (just like a check, signed by one party over to the next), showing the full chain of title. The minimum conveyance chain in recent vintage transactions is A (originator) => B (sponsor) => C (depositor) => D (trust).


The proper conveyance of the note is crucial, since the mortgage, which is the lien, is a mere accessory to the note and can be enforced only by the proper note holder (the legalese is “real party of interest”). The investors in the mortgage securitization relied upon certifications by the trustee for the trust at and post closing that the trust did indeed have the assets that the investors were told it possessed.


Effectively, what the article endeavors to do is focus attention on aspects of the law that might be helpful to the securitization industry but are not germane. For instance, relies upon “general custom and practice in the sale of mortgage loans” and the UCC, which is the Uniform Commercial Code (which has been enacted in all 50 states, with relatively few state-level idiosyncrasies).


But rub comes not from the legal considerations surrounding note/mortgage conveyance, but the particular stipulations of the pooling and servicing agreement, which all the parties agreed to. And it is also clear that the provisions of the PSA trump the UCC.


Article 1 of the UCC allows the parties to an agreement to vary the terms (Ie deviate from the UCC) by agreement. The key points of the germane section:


1-302 Variation by Agreement


(a) The effect of provisions of this Chapter may be varied by agreement.


(b) Good faith, diligence and reasonableness are the only terms that may not be changed by agreement.


(c) The presence of the words “unless otherwise agreed” does not imply that other provisions of this Chapter may not be varied by an agreement of the parties.


That means the UCC governs only with respect to issues not varied by agreement in the PSA.


Section 2 of the PSA stipulates provisions that deviate from the UCC. Typical provisions:



Section 2.01. Conveyance of Mortgage Loans.


Each seller hereby:


Sells, transfers, assigns, sets over and otherwise conveys to the depositor, without recourse, all the right, title and interest of such seller in and to the applicable mortgage loans.


The sales shall be as provided in this agreement.


Delivery shall be on or before the applicable cut-off date


The documents shall be delivered to the Master Servicer before the cut-off date


The Master Servicer confirms that all sellers have made such transfers and deposits before the cut-off date¡


Sellers by such deposits have conveyed to the Trustee for benefit of Certificate Holders all right, title and interest in and to the mortgage loans



The PSA also very clearly provided for an unbroken chain of assignments and transfers thought the parties (the A-B-C-D or more cited above). The use of intermediary parties between the originator and the trust, with a “true sale” occurring at each step, was intended to create FDIC and bankruptcy remoteness. The investors (who are called the certificate holders in the PSA) did not want a creditor of a bankrupt originator to be able to seize notes back out of the trust.


Some PSAs allowed for each party to endorse in blank, but the note still had to have endorsements by all the parties in the conveyance chain, while others stipulated that each endorsement had to be to the next party in the chain. However per NY trust law (and New York law was chosen in the vast majority of cases to govern the trust), the final endorsement had to be to the trust, not in blank.


The “unless otherwise agreed” language in Article 1 means you cannot rely on perfection solely by the UCC. It also means possession of the original note does not prove either ownership or perfection.


Now are any of these issues addressed in the SNR Denton article? Not really. The PSA is mentioned only in passing; the article weight heavily on the UCC. This part comes closest is under a section that discusses “general custom and practice in the sale of mortgage loans.” This is a backwards acknowledgment of what we and other have described: that in 2004, perhaps earlier, the securitization industry started ignoring the requirements of the PSA and would effect the transfers through the A-B-C-D parties via e-mailing lists of loan numbers (which were verified at each step) and wire transfers. SNR Denton is effectively arguing by invoking “general custom and practice” that we all should accept how then industry did things, you can make a legal case for it, as long as you ignore the sections of the PSA which govern what was supposed to happen.


Here are the sections of the SNR Denton piece that come closest to addressing the matters at hand:


In a private label RMBS transaction, the relevant contractual agreement is typically a pooling and servicing agreement, which conveys the mortgage loans from the depositor to the trustee on behalf of the securitization trust. Another relevant document could include a separate mortgage loan purchase agreement, under which the mortgage loans are sold by the sponsor to the depositor immediately prior to the sale from the depositor to the trust, with representations and warranties that are assigned to the trustee. These documents contain clear granting language that conveys ownership of all of the seller’s “right, title and interest in and to” the mortgage loans to the trustee on behalf of the securitization trust. There is a schedule or exhibit to these documents that specificly identifies each loan sold under the agreement.


Note that none of this acknowledges the requirement of the PSA that the note be endorsed to show the full chain of conveyance. Also observe the emphasis on ” These documents contain clear granting language that conveys ownership…”. The documents cannot alone convey ownership; the stipulated steps also have to be completed. The article does acknowledge the importance of delivery of the note in the following section, but again fails to address the PSA issues:


Physical delivery of the mortgage note to the purchaser or its agent, together with an endorsement of the note by the seller in blank, are also key components in the sale of mortgage loans for several reasons.


As we indicated, many PSAs required specific endorsement (to a particular party), not in blank, so this is inaccurate (except as far as describing “general custom”). The article repeats its assertion about endorsements in blank (note the section we boldfaced):


Notes may be delivered to the purchaser with an endorsement in blank. It is common for a mortgage note for a mortgage loan that has been sold to have stamped on it an endorsement to the effect of “Pay to the order of _____________, without recourse”, signed by the originator or a subsequent purchaser. Such an endorsement has the effect that any subsequent transfer of the note presumptively only requires physical delivery (i.e., with no additional endorsement). Therefore, where there are successive purchasers to a note, the endorsement in blank by any prior holder is a sufficient endorsement for purposes of the most recent purchaser.


As we indicated, that’s rubbish. The boldfaced language falsely claims that if the note was endorsed by A in the prototypical A-B-C-D chain we set forth earlier, then D could rely simply on the endorsement by A. In fact, the PSA required the full chain of endorsement and also required the depositor (the C party) endorse the note to the trustee (it is New York trust law requirements, not specified in the PSA, which would call for the final endorsement to be to the specific trust, not just the trustee).


Some other assertions are matter of fact, not law, and SNR Denton appears not to be on top of the facts:


In private label RMBS transactions, the prevailing and nearly universally-followed practice has been for the endorsed notes to be physically delivered to the trustee, or to a custodian as the trustee’s agent, at the closing of the securitization.


First, we’ve had industry executives of large “private label”, meaning non-Fannie/Freddie originators say the notes were never conveyed from the originator, and not simply for their bank, but across the industry. It appears they were conveyed only when someone needed to foreclose, which was well after the closing of the trust.


Second, there is ample evidence in court across the country of out of time assignments. of the note and the related lien being assigned to the trust shortly before a foreclosure action was commenced, in some cased, even afterwards, so again well after the closing of trust.


If you parse the piece carefully, its contentions hinge on these arguments, which in turn hinge on ignoring key provisions of the PSA and not integrating New York trust law considerations.


It ends on a indignant tone, and amusingly, resorts to the new preferred bankster line, “loose lips will tank the markets”:


We believe that the recent allegations of possible wholesale failures to convey ownership of mortgage loans to private label RMBS trusts are baseless and unfounded. All parties to these transactions, including issuers, underwriters, trustees and investors, clearly intended that the transactions convey ownership of the loans to the trusts, and appropriate steps were taken to effect such conveyance in accordance with well-settled legal principles governing transfers of mortgage loans. Any attempts to assert otherwise today are inaccurate and uninformed, and, if left to stand unchallenged, could cause substantial and unwarranted harm to the economy.


These arguments are “baseless and unfounded” only if you do readings of the law intended to favor your clients and ignore ample evidence in past and present court cases. If SNR Denton doesn’t like what it is reading on this blog, I suggest it take up the matter with the judges who are looking at the evidence and the terms of the PSA and are in a fair number of cases ruling against the servicers and trusts for having failed to prove their standing to foreclose.


To put it another way, if this is the best defense a leading law firm in the securitization industry can mount, it shows they have a weak case.


The Huffington Post Investigative Fund website (the first I’ve heard of it) has a lengthy article on a new way that big banks are driving foreclosures. Apparently local governments do not have the resources to pursue property tax collection themselves so they bundle up past due liens and sell them off to investors that can then collect or foreclose. I hadn’t heard of this practice but the article makes it sound like it has been long standing. What it says is new in the arena is the activity of major banks and hedge funds that buy the debts and then tack on massive “legal fees.”


For example:


In May, the Investigative Fund reported how an unemployed former mental health counselor with four children named Vicki Valentine lost her home even though the mortgage had been paid in full. She had owed $362 on an overdue water bill when investors took over and added thousands of dollars in legal fees she couldn’t afford…


D.C. Attorney General Nickles criticizes Aeon Financial, LLC, a bank-financed investment group from Chicago that buys tax liens in some 10 states. Nickles asserts that Aeon has slammed homeowners, who sometimes owed just a few hundred dollars in back taxes, with $7,000 or more in legal fees.


This is in addition to upwards of 18% interest. When people can’t pay then the homes are taken to foreclosure. What is particularly egregious about this process is that everything is done through front companies that are sometimes not even registered in the country. Not even the governments know who they are dealing with:


Banks and hedge funds usually buy the liens through online auctions that permit them to bid in bulk, and they can use any name they want.


The giant Bank of America, for instance, has bid in Florida tax lien sales using colorful names such as Bennu, LLC, named after a mythical bird said to be the soul of the ancient Egyptian sun god. It also has bid as Osprey, LLC, and Ecru, LLC, named after the French word for a pale brown color…


Tax collectors in Florida don’t always know who they’re doing business with, either. Officials in Pinellas County want to know who exactly is behind a company called GL Funding Limited. Sales records show that GL Funding spent more than $10 million and dominated the tax sale in at least 10 Florida counties, most of them rural or smaller cities where interest rates tended to be much higher than in urban and resort areas.


GL Funding registered with several Florida tax collectors as a company with offices in the Cayman Islands. But other counties list a post office box in Philadelphia as its address. The person who registered GL Funding in Pinellas County’s tax sale provided Pinellas with a telephone number in Dallas, Tex. At that number, a man named Jess Weir declined to tell the Investigative Fund who is investing through the name GL Funding.


Said Sam McClelland, deputy tax collector in Pinellas County, Fla., where GL Funding acquired hundreds of liens earlier this year: “We’re still trying to sort this out.”


Yes, banks that are backed explicitly and implicitly by hundreds of billions of dollars from the government each year are tacking on thousands of dollars of fees and then foreclosing on people that owed a few hundred bucks…from the shadows. Ecru, indeed.



benchcraft company scam

Harbor Lights A223 by luckycomehawaii


benchcraft company scam

Energy Drinks Linked to Alcohol Problems - Health <b>News</b> - Health.com

College students who consume nonalcoholic energy drinks such as Red Bull at least once a week are more than twice as likely as their peers to show signs of alcohol dependence, according to a new study.

Pulse Brings You <b>News</b> and RSS in an Elegant Flow

Android/iOS: Blogs and news sites put all that effort into making their posts graphically appealing, so why not see what they've got? Pulse, a nicely different kind of news reader, pulls your news in through side-scrolling, ...

Google <b>News</b> experiments with metatags for publishers to give <b>...</b>

One of the biggest challenges Google News faces is one that seems navel-gazingly philosophical, but is in fact completely practical: how to determine authorship. In the glut of information on the web, much of it is, if not completely ...


benchcraft company scam

Harbor Lights A223 by luckycomehawaii


benchcraft company scam

Energy Drinks Linked to Alcohol Problems - Health <b>News</b> - Health.com

College students who consume nonalcoholic energy drinks such as Red Bull at least once a week are more than twice as likely as their peers to show signs of alcohol dependence, according to a new study.

Pulse Brings You <b>News</b> and RSS in an Elegant Flow

Android/iOS: Blogs and news sites put all that effort into making their posts graphically appealing, so why not see what they've got? Pulse, a nicely different kind of news reader, pulls your news in through side-scrolling, ...

Google <b>News</b> experiments with metatags for publishers to give <b>...</b>

One of the biggest challenges Google News faces is one that seems navel-gazingly philosophical, but is in fact completely practical: how to determine authorship. In the glut of information on the web, much of it is, if not completely ...


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Energy Drinks Linked to Alcohol Problems - Health <b>News</b> - Health.com

College students who consume nonalcoholic energy drinks such as Red Bull at least once a week are more than twice as likely as their peers to show signs of alcohol dependence, according to a new study.

Pulse Brings You <b>News</b> and RSS in an Elegant Flow

Android/iOS: Blogs and news sites put all that effort into making their posts graphically appealing, so why not see what they've got? Pulse, a nicely different kind of news reader, pulls your news in through side-scrolling, ...

Google <b>News</b> experiments with metatags for publishers to give <b>...</b>

One of the biggest challenges Google News faces is one that seems navel-gazingly philosophical, but is in fact completely practical: how to determine authorship. In the glut of information on the web, much of it is, if not completely ...


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Energy Drinks Linked to Alcohol Problems - Health <b>News</b> - Health.com

College students who consume nonalcoholic energy drinks such as Red Bull at least once a week are more than twice as likely as their peers to show signs of alcohol dependence, according to a new study.

Pulse Brings You <b>News</b> and RSS in an Elegant Flow

Android/iOS: Blogs and news sites put all that effort into making their posts graphically appealing, so why not see what they've got? Pulse, a nicely different kind of news reader, pulls your news in through side-scrolling, ...

Google <b>News</b> experiments with metatags for publishers to give <b>...</b>

One of the biggest challenges Google News faces is one that seems navel-gazingly philosophical, but is in fact completely practical: how to determine authorship. In the glut of information on the web, much of it is, if not completely ...


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